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hanniballecters:

“Friendship, knitting, ….murder” 

hanniballecters:

“Friendship, knitting, ….murder” 

(Source: mischalecters, via dangerwizard)

textileform:

Geometric fabric

textileform:

Geometric fabric

(via ermietumblr)

palemauve:

Delicate Line

palemauve:

Delicate Line

(via lucilleballz)

gingerhaze:

rootsandboots:

Next stop: Embroidery

WOAH WOAH WOAH I WANT DINOSAUR SHORTS

gingerhaze:

rootsandboots:

Next stop: Embroidery

WOAH WOAH WOAH I WANT DINOSAUR SHORTS

(Source: thegirlcantdance, via theworkinghands)



susanna lewis oz socks – circa 1978 {via knithacker}


susanna lewis oz socks – circa 1978 {via knithacker}

(via fiberimbiber)

fyeahwomenartists:

Swati KhuranaStorytelling from the series Ten Years Later 2008

fyeahwomenartists:

Swati Khurana
Storytelling from the series Ten Years Later
2008

cavetocanvas:

With Hidden Noise - Marcel Duchamp, 1916
From the Philadelphia Museum of Art’s website:

The commonplace objects that Duchamp chose as “Readymade” works of art epitomized the artist’s belief that art should go beyond the visual and appeal to the mind as well as the senses. Duchamp began signing and giving titles to mass-produced items after he moved to New York in 1915, beginning with a snow shovel purchased in a hardware store. With Hidden Noise marks the transition from Duchamp’s signed objects to more elaborate works, which Duchamp called “assisted Readymades.” For this piece, made on Easter Day 1916, Duchamp set a ball of nautical twine between two brass plates. He then asked his friend and patron Walter Arensberg to place an unknown object inside before he clamped the Readymade shut with four long screws. The title alludes to the rattling sound the hidden object makes when shaken. Duchamp requested that Arensberg never tell him what the secret thing was, preferring to remain blissfully ignorant of his work’s “content.”

cavetocanvas:

With Hidden Noise - Marcel Duchamp, 1916

From the Philadelphia Museum of Art’s website:

The commonplace objects that Duchamp chose as “Readymade” works of art epitomized the artist’s belief that art should go beyond the visual and appeal to the mind as well as the senses. Duchamp began signing and giving titles to mass-produced items after he moved to New York in 1915, beginning with a snow shovel purchased in a hardware store. With Hidden Noise marks the transition from Duchamp’s signed objects to more elaborate works, which Duchamp called “assisted Readymades.” For this piece, made on Easter Day 1916, Duchamp set a ball of nautical twine between two brass plates. He then asked his friend and patron Walter Arensberg to place an unknown object inside before he clamped the Readymade shut with four long screws. The title alludes to the rattling sound the hidden object makes when shaken. Duchamp requested that Arensberg never tell him what the secret thing was, preferring to remain blissfully ignorant of his work’s “content.”

aceaviatrix:

“It’s a Dangerous Business, Walking Out Your Door”

flannel, burlap, cotton
Oct 2011

ambergoesclick:

adorable. someone get it wet so there will be more of them.
by: loveandasandwich.
via: feeling stitchy

ambergoesclick:

adorable. someone get it wet so there will be more of them.

by: loveandasandwich.

via: feeling stitchy

(via theworkinghands)

cavetocanvas:

Soft Toilet - Claes Oldenburg, 1966

cavetocanvas:

Soft Toilet - Claes Oldenburg, 1966

(via cavetocanvas)

therhumboogie:

By Decorkuznetsov. The Ukrainian design studio has come up with these wonderful, colourful lamps and light fittings. 

(via angstblog)

hanniballecters:

“Friendship, knitting, ….murder” 

hanniballecters:

“Friendship, knitting, ….murder” 

(Source: mischalecters, via dangerwizard)

Amazing bead work!

Amazing bead work!

(Source: rosariummm, via beachfoambaby)

ermietumblr:

Sara Rahbar via Rust Never Sleeps.

textileform:

Geometric fabric

textileform:

Geometric fabric

(via ermietumblr)

palemauve:

Delicate Line

palemauve:

Delicate Line

(via lucilleballz)

gingerhaze:

rootsandboots:

Next stop: Embroidery

WOAH WOAH WOAH I WANT DINOSAUR SHORTS

gingerhaze:

rootsandboots:

Next stop: Embroidery

WOAH WOAH WOAH I WANT DINOSAUR SHORTS

(Source: thegirlcantdance, via theworkinghands)



susanna lewis oz socks – circa 1978 {via knithacker}


susanna lewis oz socks – circa 1978 {via knithacker}

(via fiberimbiber)

fyeahwomenartists:

Swati KhuranaStorytelling from the series Ten Years Later 2008

fyeahwomenartists:

Swati Khurana
Storytelling from the series Ten Years Later
2008

(Source: sougan, via lucilleballz)

cavetocanvas:

With Hidden Noise - Marcel Duchamp, 1916
From the Philadelphia Museum of Art’s website:

The commonplace objects that Duchamp chose as “Readymade” works of art epitomized the artist’s belief that art should go beyond the visual and appeal to the mind as well as the senses. Duchamp began signing and giving titles to mass-produced items after he moved to New York in 1915, beginning with a snow shovel purchased in a hardware store. With Hidden Noise marks the transition from Duchamp’s signed objects to more elaborate works, which Duchamp called “assisted Readymades.” For this piece, made on Easter Day 1916, Duchamp set a ball of nautical twine between two brass plates. He then asked his friend and patron Walter Arensberg to place an unknown object inside before he clamped the Readymade shut with four long screws. The title alludes to the rattling sound the hidden object makes when shaken. Duchamp requested that Arensberg never tell him what the secret thing was, preferring to remain blissfully ignorant of his work’s “content.”

cavetocanvas:

With Hidden Noise - Marcel Duchamp, 1916

From the Philadelphia Museum of Art’s website:

The commonplace objects that Duchamp chose as “Readymade” works of art epitomized the artist’s belief that art should go beyond the visual and appeal to the mind as well as the senses. Duchamp began signing and giving titles to mass-produced items after he moved to New York in 1915, beginning with a snow shovel purchased in a hardware store. With Hidden Noise marks the transition from Duchamp’s signed objects to more elaborate works, which Duchamp called “assisted Readymades.” For this piece, made on Easter Day 1916, Duchamp set a ball of nautical twine between two brass plates. He then asked his friend and patron Walter Arensberg to place an unknown object inside before he clamped the Readymade shut with four long screws. The title alludes to the rattling sound the hidden object makes when shaken. Duchamp requested that Arensberg never tell him what the secret thing was, preferring to remain blissfully ignorant of his work’s “content.”

aceaviatrix:

“It’s a Dangerous Business, Walking Out Your Door”

flannel, burlap, cotton
Oct 2011

ambergoesclick:

adorable. someone get it wet so there will be more of them.
by: loveandasandwich.
via: feeling stitchy

ambergoesclick:

adorable. someone get it wet so there will be more of them.

by: loveandasandwich.

via: feeling stitchy

(via theworkinghands)

cavetocanvas:

Soft Toilet - Claes Oldenburg, 1966

cavetocanvas:

Soft Toilet - Claes Oldenburg, 1966

(via cavetocanvas)

therhumboogie:

By Decorkuznetsov. The Ukrainian design studio has come up with these wonderful, colourful lamps and light fittings. 

(via angstblog)

About:

The Adventures of the Fiber Adventure Club Team members.

Following: